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Alphabets<\/b><\/i> (sous-titr\u00e9 Cent soixante-seize onzains h\u00e9t\u00e9rogrammatiques<\/i>) est un recueil de po\u00e8mes de Georges Perec paru en 1976.<\/p>\n","protected":false},"author":1,"featured_media":509,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\u00ab Chacune des cent soixante-seize textes de ce recueil est un onzain, un po\u00e8me de onze vers, dont chaque vers a onze lettres. Chaque vers utilise une m\u00eame s\u00e9rie de lettres diff\u00e9rentes, quelque chose comme une gamme, dont les permutations produiront le po\u00e8me selon un principe analogue \u00e0 celui de la musique s\u00e9rielle : on ne peut r\u00e9p\u00e9ter une lettre avant d\u2019avoir \u00e9puis\u00e9 la s\u00e9rie. Tous les po\u00e8mes ont en commun les dix lettres les plus fr\u00e9quentes de l\u2019alphabet fran\u00e7ais : E, S, A, T, I, N, U, L, O. La onzi\u00e8me lettre est l\u2019une des seize restantes : B, C, D, F, G, H, J, K, M, P, Q, V, W, X, Y, Z. Il y a onze po\u00e8mes en B, onze po\u00e8mes en C, etc\u2026, soit au total onze alphabets complets, c\u2019est-\u00e0-dire 16 x 11 = cent soixante-seize po\u00e8mes.\r\nLa pr\u00e9sentation typographique des textes visualise cette contrainte en donnant de chaque po\u00e8me deux dispositions diff\u00e9rentes : l\u2019une est ordonn\u00e9e en un carr\u00e9 de onze lettres sur onze, l\u2019autre est libre et propose une sorte de traduction en prose du po\u00e8me.\r\n\u00c0 travers ce syst\u00e8me de contraintes qui pourrait para\u00eetre sugg\u00e9rer un nouvel art po\u00e9tique susceptible de remplacer les vestiges rh\u00e9toriques encore en usage dans la plupart des productions po\u00e9tiques modernes et contemporaines, dans le ressassement m\u00eame de leurs lettres, de leurs mots et de leurs th\u00e8mes, ces cent soixante-seize courts po\u00e8mes me semblent trouver leur place dans le prolongement des cent cinquante-sept sonnets et des cent quarante-trois po\u00e8mes japonais de Jacques Roubaud et sous l\u2019ombre tut\u00e9laire des quarante-neuf dizains de La D\u00e9lie. \u00bb","_et_gb_content_width":""},"product_cat":[54,49,46],"product_tag":[52,21],"ppma_author":[51],"class_list":["post-508","product","type-product","status-publish","has-post-thumbnail","product_cat-coup-de-coeur","product_cat-france","product_cat-poesie","product_tag-galilee","product_tag-xxe-siecle","first","instock","sold-individually","taxable","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/antoinerf.com\/malib\/wp-json\/wp\/v2\/product\/508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antoinerf.com\/malib\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/antoinerf.com\/malib\/wp-json\/wp\/v2\/types\/product"}],"author":[{"embeddable":true,"href":"https:\/\/antoinerf.com\/malib\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antoinerf.com\/malib\/wp-json\/wp\/v2\/comments?post=508"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antoinerf.com\/malib\/wp-json\/wp\/v2\/media\/509"}],"wp:attachment":[{"href":"https:\/\/antoinerf.com\/malib\/wp-json\/wp\/v2\/media?parent=508"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/antoinerf.com\/malib\/wp-json\/wp\/v2\/product_cat?post=508"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/antoinerf.com\/malib\/wp-json\/wp\/v2\/product_tag?post=508"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/antoinerf.com\/malib\/wp-json\/wp\/v2\/ppma_author?post=508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}